Faculty and select graduate students in the department of music offer private lessons to members of all ages in the community.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Binh Danh explores his Vietnamese heritage, landscapes and memory through experimental and vintage photography techniques. Chlorophyll prints of the past and daguerreotypes of the present blur the line between history and the now, examining a transformation of American identity.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Artists Natalia Lassalle-Morillo and Sofía Gallisá Muriente gather testimonies and imaginaries of Puerto Ricans who migrated to Central Florida following 2017’s Hurricane Maria. This immersive, four-channel video installation layers fictional and non-fictional narratives, speculating about how community is created anew. The title, Foreign in a Domestic Sense, comes from the 1901 Supreme Court case in which a justice described the island nation as “unincorporated territory” of the U.S.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Interested in studying abroad, but have no idea where to start? Wanting to learn more about what the Abroad office has to offer? Need some guidance on how to go about studying abroad? Please join us every Thursday at 11:00 am and 3:00 pm and Friday at 11:00 am for a Study Abroad 101 session. These short informational meeting will leave you better off with an idea of how to find the correct program for you and how to make the most out of your study abroad experience.Meetings are in Foy Hall 242. If you want to meet virtually during this time, use this zoom link.

Author of “Fierce Poise: Helen Frankenthaler and 1950s New York,” Alexander Nemerov joins The Jule to discover more behind the artists in “Women Artists in Ascendance.”Image credit: Helen Frankenthaler (1928 – 2011) at work on a large canvas, 1969. (Photo by Ernst Haas/Getty Images)

This event will begin with an opening prayer. This will be followed by a 30-45 minute Bible study with discussion times. The event will be ended with a time of prayer requests and a closing prayer. Discussion and fellowship often follows the prayer as well.

It is a meeting where we have a speaker talk to us about their life story.