Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

A group of siblings and misfits gather under one roof, each wrestling with the lives they’ve lived—and the ones they’ve avoided. Old regrets, theatrical dreams, and unexpected arrivals stir up long-buried tensions and surprising revelations. Through a maze of absurdity and affection, the characters stumble toward self-discovery, often missing each other entirely. Christopher Durang’s sharp and tender comedy is a portrait of what happens when the past resurfaces, futures are uncertain, and the present demands a choice.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

A group of siblings and misfits gather under one roof, each wrestling with the lives they’ve lived—and the ones they’ve avoided. Old regrets, theatrical dreams, and unexpected arrivals stir up long-buried tensions and surprising revelations. Through a maze of absurdity and affection, the characters stumble toward self-discovery, often missing each other entirely. Christopher Durang’s sharp and tender comedy is a portrait of what happens when the past resurfaces, futures are uncertain, and the present demands a choice.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

A group of siblings and misfits gather under one roof, each wrestling with the lives they’ve lived—and the ones they’ve avoided. Old regrets, theatrical dreams, and unexpected arrivals stir up long-buried tensions and surprising revelations. Through a maze of absurdity and affection, the characters stumble toward self-discovery, often missing each other entirely. Christopher Durang’s sharp and tender comedy is a portrait of what happens when the past resurfaces, futures are uncertain, and the present demands a choice.

A group of siblings and misfits gather under one roof, each wrestling with the lives they’ve lived—and the ones they’ve avoided. Old regrets, theatrical dreams, and unexpected arrivals stir up long-buried tensions and surprising revelations. Through a maze of absurdity and affection, the characters stumble toward self-discovery, often missing each other entirely. Christopher Durang’s sharp and tender comedy is a portrait of what happens when the past resurfaces, futures are uncertain, and the present demands a choice.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

A group of siblings and misfits gather under one roof, each wrestling with the lives they’ve lived—and the ones they’ve avoided. Old regrets, theatrical dreams, and unexpected arrivals stir up long-buried tensions and surprising revelations. Through a maze of absurdity and affection, the characters stumble toward self-discovery, often missing each other entirely. Christopher Durang’s sharp and tender comedy is a portrait of what happens when the past resurfaces, futures are uncertain, and the present demands a choice.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

A group of siblings and misfits gather under one roof, each wrestling with the lives they’ve lived—and the ones they’ve avoided. Old regrets, theatrical dreams, and unexpected arrivals stir up long-buried tensions and surprising revelations. Through a maze of absurdity and affection, the characters stumble toward self-discovery, often missing each other entirely. Christopher Durang’s sharp and tender comedy is a portrait of what happens when the past resurfaces, futures are uncertain, and the present demands a choice.

- Last day to withdraw from course with no grade penalty. "W" assigned. - Students who need to submit forms to lift holds on their accounts must submit the forms several business days ahead of the deadline to allow for processing.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

A group of siblings and misfits gather under one roof, each wrestling with the lives they’ve lived—and the ones they’ve avoided. Old regrets, theatrical dreams, and unexpected arrivals stir up long-buried tensions and surprising revelations. Through a maze of absurdity and affection, the characters stumble toward self-discovery, often missing each other entirely. Christopher Durang’s sharp and tender comedy is a portrait of what happens when the past resurfaces, futures are uncertain, and the present demands a choice.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

A group of siblings and misfits gather under one roof, each wrestling with the lives they’ve lived—and the ones they’ve avoided. Old regrets, theatrical dreams, and unexpected arrivals stir up long-buried tensions and surprising revelations. Through a maze of absurdity and affection, the characters stumble toward self-discovery, often missing each other entirely. Christopher Durang’s sharp and tender comedy is a portrait of what happens when the past resurfaces, futures are uncertain, and the present demands a choice.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.