Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Binh Danh explores his Vietnamese heritage, landscapes and memory through experimental and vintage photography techniques. Chlorophyll prints of the past and daguerreotypes of the present blur the line between history and the now, examining a transformation of American identity.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Artists Natalia Lassalle-Morillo and Sofía Gallisá Muriente gather testimonies and imaginaries of Puerto Ricans who migrated to Central Florida following 2017’s Hurricane Maria. This immersive, four-channel video installation layers fictional and non-fictional narratives, speculating about how community is created anew. The title, Foreign in a Domestic Sense, comes from the 1901 Supreme Court case in which a justice described the island nation as “unincorporated territory” of the U.S.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

We will be on the concourse to answer any questions about how to get more involved with this organization that is fighting human trafficking around the world!

Acclaimed poet Nicole Sealey will engage faculty, students and the Auburn community as a poet-in-residence at The Jule. Working with Auburn’s collection by the 19th-century naturalist John James Audubon, Sealey will marry language and art by pairing works from Audubon’s monumental “The Birds of America” with both contemporary and historical poetic responses, inviting visitors to question the symbolic and cultural meanings we ascribe to the natural world.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.

Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges.The museum is not open to the public on the following dates: October 11, October 18, November 1, November 22 and November 29.