Featuring objects on loan from the Whitney Museum of American Art alongside the university art collection, Women Artists in Ascendance pulls back the curtain on the story of modern American art by displaying works from a dozen women artists who were goliaths in their own right, including Helen Frankenthaler, Grace Hartigan and Lee Krasner.Organized in partnership with Art Bridges

Want to learn even more about the art in our galleries? Join one of The Jule’s Student Guides for a tour! Student Guides are Auburn University students in our Education, Engagement and Learning unit who lead tours through the exhibitions, teaching visitors of all ages, learning levels and interests more about the art on display. No need to register in advance—just sign in at our front desk, look for a student in an “Ask Me About Art” t-shirt, and you’ll be well on your way to learning even more about The Jule, museum work and the art on the walls.

We will be making mocktails and discussing reproductive health topics.

Auburn Greek Life will host Dr. Michael Ayalon to give his keynote, Chapter Unity Without Harm: Hazing Prevention for a Safer Brotherhood & Sisterhood, during National Hazing Prevention Week.'Chapter Unity Without Harm' is a comprehensive, research-based, engaging program designed to eradicate hazing practices within fraternity and sorority life by fostering a culture of respect, safety, and genuine camaraderie. Participants will delve into the historical roots of hazing to understand its origins and persisting factors. They will explore the deep-seated reasons behind hazing and its extensive ramifications, including legal, psychological, and communal impacts.

Faculty and select graduate students in the department of music offer private lessons to members of all ages in the community.

Guest curator Elizabeth S. Hawley considers the history of American art through the collection at Auburn University. Pairing paintings from the museum’s iconic Advancing American Art Collection with other contemporary collection objects, this exhibition encourages visitors to ask what being and belonging in American art might mean in the past, the present and the future.